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宝可梦传说：阿尔宙斯 x Crocs 联名系列新增 3 款洞洞鞋设计_我的网站

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    Visitors at the Eight Immortals Crossing the Sea scenic area in Yantai, Shandong Province Photo: VCG
I first watched the movie All Wishes Come True on a sweltering evening in Beijing, the kind of night when the city's heat presses against the windows and the air-conditioning struggles. 
The comedy, widely considered one of the best-reviewed Chinese animated features of the 2026 summer season, unspooled its turquoise landscapes and bureaucratic immortals with a lightness that belied the depth of its source material. By the time the credits rolled, I found myself less interested in the characters' KPI struggles than in the place they called home: Penglai - the northern tip of the Shandong Peninsula in East China, where myth and shoreline have shared the same address for more than 1,000 years.
By one Saturday morning, I was on a high-speed train heading east from Beijing, the film still playing in my head. "Don't ask where they came from," the movie's quiet refrain goes, "only where they are going; don't ask about gains or losses, only about right or wrong." It felt like decent travel advice.
    A colorful 3D relief depicts the classic Chinese mythological legend 'The Eight Immortals Crossing the Sea' at the Penglai Pavilion scenic area Photo: Xu Liuliu/GT
Fairyland of the mortal world
Stepping off the train, Penglai announced itself gradually. The air cooled. The sea appeared, first with shimmering light, then as a broad, restless presence. The average temperature here sits at around 12.5 degrees Celsius for the whole year; winters refuse to freeze the spirit, summers decline to scorch it. Locals call the place "the fairyland of the mortal world," and for once the slogan does not feel like municipal overreach.
I began, as most pilgrims do, at Penglai Pavilion. The Song-dynasty (960-1279) complex rises from a cliff as if the rock itself had decided to become architecture. It is the only seaside member of China's four great ancient towers, and the only one that smells of salt. From its highest platform the Yellow and Bohai Seas meet in a visible seam of color, two blues arguing politely about territory. Legend insists the Eight Immortals gathered here, drank too well, and then crossed the water by their various supernatural means. Standing in the same spot, I could almost hear the clink of chalices.
The pavilion is not a museum of relics so much as a working stage for memory. The hall of Lü Dongbin, one of the Eight Immortals, still receives incense. Stone tablets carved with poems by generations of visitors lean against one another like old friends. In the afternoons, costumed performers - local "NPCs" of the Eight Immortals - wander the stone paths, joking with tourists, offering blessings, occasionally breaking into song. Children chase a character carrying a flower basket; adults pose solemnly beside Tieguai Li. The boundary between screen and shore softens.
One of the locals, who grew up within sight of the pavilion, told me this was the season for haishi - the mirages that have made Penglai famous for centuries. Sea mirages, sea mists, and horizontal fog form the three maritime wonders here, appearing without schedule and vanishing just as quickly. I waited an hour and alas saw only ordinary clouds. Still, the sense of possibility felt sufficiently satisfying. 
Across the water lies the Eight Immortals Cross the Sea scenic area, laid out in the shape of a giant gourd - Tieguai Li's preferred vessel. From the highest pavilion the gardens, pavilions, and sculpted figures form a coherent narrative of ascent and departure. Wandering in the area, you will see that the water is calm, the sky the exact shade of celadon used by the animators. It was easy to understand why story-tellers kept returning to this stretch of coast: the landscape itself seems to invite transformation.
Penglai is not only myth. The old water city, China's best-preserved ancient naval base, still holds the outlines of docks where warships once waited. Nearby stand the memorials to Qi Jiguang, the Ming Dynasty (1368-1644) general who defended these shores against Japanese pirates. 
The same peninsula that dreams of immortals also remembers the hard work of keeping the sea lanes open. The film's protagonists, for all their comic incompetence, share a stubborn sense of duty toward the human world. Standing among the fortifications, I felt the two strains of the place - celestial and martial - settle into balance.
    The iconic memorial archway 'Penglai on Earth' at the Penglai Pavilion Scenic Area in Yantai, Shandong Province Photo: Xu Liuliu/GT
Banquet from sea
Food here is another kind of story-telling. At a small restaurant in the city I ordered Penglai noodles, thin and springy, swimming in a broth that tasted of the morning's catch. Later came an "Eight Immortals banquet," each dish inspired by one of the legendary figures: a crisp fish for the crossing, a fragrant wine for the celebration afterward. The wines themselves deserve attention. Penglai sits on the same latitude as some of the world's great vineyards. 
In the late afternoon light, the grapes looked almost black, and the air smelled of sea and oak. A glass of local wine, tasted on a terrace overlooking the water, carried a mineral edge that felt like the peninsula distilled.
Evenings belong to the streets. On Xianjie or Immortal Street, lights come on early. Vendors sell souvenirs of the Eight Immortals' magic instruments, small wooden crutches, fans, flower baskets. Musicians play, children run between stalls, and the smell of grilled seafood mixes with the cooler night air. It is ordinary Chinese night-market life, elevated by the knowledge that the stories being sold have been circulating for a millennium.
I spent my last morning climbing Laobeishan or Tianheng Mountain to the precise point where the two seas divide. The water on one side was a deeper yellow, on the other a clearer blue. Tourists took photographs, capturing the magical sight of the water's two different colors. 
Penglai is much more than what is portrayed in the movie. The cliffs, the pavilion, the mirages, and the slow accumulation of legend were here long before any animator arrived. Yet the film has done what good popular art sometimes does: it has given a new generation a reason to look again. Walking back down the mountain that morning, I kept thinking of the line about not asking about origins, only about destinations. 
Penglai's destiny, it seems, is simply to remain itself - half myth, half working harbor - while the rest of us keep arriving, notebooks open, cameras ready, half expecting to see haishi.
。    在宣布推出精灵球洞洞鞋后，Crocs 又公开了三款以特定 宝可梦传说：阿尔宙斯 为主题的新设计。皮卡丘和耿鬼将推出标准款洞洞鞋，售价 79.99 美元；胖丁则将推出厚底款，售价 84.99 美元。目前，仅皮卡丘款式提供了童鞋尺码，售价稍低，为 54.99 美元。所有新设计的预计发售日期均为 11 月 16 日。新款 宝可梦传说：阿尔宙斯 Crocs 的设计风格相对统一。

B | 宝可梦传说：阿尔宙斯 的“面部”构成了鞋面的主体，侧面则配有定制图案。皮卡丘款点缀着闪电，胖丁款点缀着音符，而耿鬼款则是毒气图案。每款鞋的脚踝带上还配有不同金属色的 宝可梦传说：阿尔宙斯 标志。Crocs 此前已公开了与精灵球主题洞洞鞋的全新联动。

C | 该设计将比特定 宝可梦传说：阿尔宙斯 款式更早上市，预计发售日期为 8 月 28 日。与皮卡丘款一样，精灵球洞洞鞋也提供了成人和儿童尺码，此外还将增加幼儿尺码。截至发稿时，这些即将发售的新品均未开启预售。你可以选择向 Crocs 提供你的电子邮件地址或电话号码，以便接收发售更新以及其他相关资讯。如果你已经拥有了洞洞鞋，现在已经可以购买一系列 宝可梦传说：阿尔宙斯 主题的智必星（Jibbitz）配饰。此次发售是 Crocs 与任天堂持续合作的一部分，此前双方已推出了 集合啦！动物森友会 洞洞鞋和完整的 超级马里奥派对 空前盛会 系列。

D | 这也是与 宝可梦传说：阿尔宙斯 正在进行的 30 周年庆典相关的众多新品之一。

E | 即便仅在鞋类领域，彪马（Puma）也在今年早些时候推出了联名系列，阿迪达斯（Adidas）则将于 9 月发布品类尤为丰富的 宝可梦传说：阿尔宙斯 主题运动鞋。除了周边联动外，宝可梦传说：阿尔宙斯 trading card game 也将推出一整套 30 周年纪念产品。虽然正统续作将缺席 2026 年，但我们已经看到了第 10 代作品的首个预告片，名为 Winds and Waves，该作将于 2027 年在 Switch 2 上发布。我们还体验了温馨的衍生作品 宝可梦传说：阿尔宙斯 Pokopia，我们认为这款游戏非常出色。

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